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You are here: Home / All blog posts / Risers and sinkers
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April 28, 2011 by Tien Chiu 1 Comment

Risers and sinkers

Pretty pictures first:

devore samples - iridescent nylon
devore samples - iridescent nylon
devore samples - gold embroidery thread
devore samples - gold embroidery thread

Those two I like a lot.  The polyester, however, didn’t thrill me at all:

devore samples - polyester
devore samples - polyester

I am debating whether to use the nylon or the gold embroidery thread in the finished piece.  The nylon is much brighter and more glittery (which doesn’t show up well in the photo); the gold is more understated and elegant.

Since this is for a garment, which is typically viewed from several feet away (at least!), I think I will likely use the nylon.  If I were doing a smaller piece, for example for Small Expressions, I would use the gold – it’s pretty and would be best appreciated up close.

The polyester just doesn’t have any glitz, and I feel that glitz is important for this piece.  Not necessarily loud, but there should be some sparkle.

Now, the interesting technical stuff:

Some memory floating through the back of my head said that there must be an easier way to construct these drafts, and I was right!  I went back to Alice Schlein’s blog and found the entry on risers and sinkers, changed my pattern, and was off and running!

Here is the end result:

devore draft constructed using risers and sinkers.  Yellow and green threads indicate metallic thread carryalongs, red and white indicate tencel.
devore draft constructed using risers and sinkers. Yellow and green threads indicate metallic thread carryalongs, red and white indicate tencel only.

And, since this shows no evidence of how I constructed it, here is the .psd file.

After a false start or two, I have got the weave structure and the burnout weave structure to play nicely together, so I will be weaving up the samples for the Fine Threads Study Group over the next couple of days.

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Filed Under: All blog posts, textiles, weaving Tagged With: devore, photoshop

Previous post: One structure to another
Next post: Website revamp

Comments

  1. Judy says

    April 28, 2011 at 7:01 pm

    It looks like you have used machine stitching to stabilise around the burnout areas. Is that your intention in the final piece?

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