Tien Chiu

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May 25, 2017 by Tien Chiu

Brainstorming

I had a lovely time in Oregon, teaching my “Power Up Your Process” workshop and giving a talk on brainstorming. I thought I’d share some of the ideas in the talk with you, as I think they address some common misconceptions about brainstorming.

First, brainstorming is NOT about creating a work of art. My brainstormed designs all look like they were drawn by a six year old child. In fact, I’m pretty sure a six-year-old could produce better art, given time. But brainstorming is not about taking time to create a great portrait. Brainstorming is about getting as many ideas as quickly as possible – so whatever captures the idea fastest is the best method for brainstorming. In my case, it’s a fast and largely incoherent scrawl.

To demonstrate, here are a few of the brainstormed designs for my piece “Goodbye, Ma,” plus the finished piece.

I knew I wanted a phoenix rising out of something, so I started with some thumbnail sketches to show different poses for the bird. Each of these took only a few seconds, and I didn’t stop to think or adjust details. The sketches are crude, but they were perfect for the occasion, giving me a collection of ideas in just a few minutes.

cropped thumbnails for Goodbye, Ma
cropped thumbnails for Goodbye, Ma

Next I took some of my favorite poses and sketched them roughly in black and white. Each sketch took less than a minute.

Thumbnail sketches for my piece "Goodbye, Ma"
Thumbnail sketches for my piece “Goodbye, Ma”

Next I took some of my ideas and developed them a little more. Here are a few variants, each of which took about 5-10 minutes:

phoenix brainstorming - rising from flames
phoenix brainstorming – rising from flames
phoenix brainstorming - rising from black hole
phoenix brainstorming – rising from black hole

After I was done brainstorming, I started developing the piece. Here’s the first iteration – just the overall pose and a hint of shading:

initial development of phoenix drawing
initial development of phoenix drawing

After doing that version, I added some shading, and added some blue to “pop” the oranges.

second iteration - light and shadow
second iteration – light and shadow, complementary color

Around this point I realized that it would be great to have the phoenix flying out of a cremation urn, rather than just appearing out of nowhere. So I added a crude sketch to check positioning, and also changed the wing feathers around a bit, experimenting.

phoenix - flying up from urn
phoenix – flying up from urn

Having checked the positioning, I drew in the urn and re-revised the wings to look a bit more fiery:

phoenix with a better-drawn cremation urn
phoenix with a better-drawn cremation urn

I felt that the piece needed something to indicate that the phoenix was flying upwards, so I added a moon. I also straightened out the feathers and made them more stylistically compatible with the tail:

phoenix with added moon
phoenix with added moon

And in the final iteration, I decided to remove the feet, and made the blue feathers more plentiful. Here is the final drawing for “Goodbye, Ma”:

final sketch for Goodbye, Ma
final sketch for Goodbye, Ma

And here is the finished piece:

"Goodbye, Ma"
“Goodbye, Ma”

Coming back to the start again, here is the first brainstormed sketch:

cropped thumbnails for Goodbye, Ma
cropped thumbnails for Goodbye, Ma

I used to despair because my brainstormed sketches looked so crude. But now I’ve realized that that’s exactly what they should be. The idea is to test many ideas, so you can select the best one to develop further. Childish scrawls are perfect.

Filed Under: All blog posts, textiles, weaving, meditations on craft Tagged With: brainstorming, design

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