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July 31, 2025 by Tien Chiu Leave a Comment

San Miguel de Allende (and the finished phoenix scarf!)

Hello from Mexico!

I’m in San Miguel de Allende, a small city known for its architecture, arts scene, and wonderful weather. Not to mention the fantastic views! Here’s a picture of the city from the roof of a local restaurant:

View from Quince Rooftop, in San Miguel de Allende

I love the way the light changes throughout the day. I’ve spent quite a bit of time on the rooftop patio, which has a 270 degree view of the city. Here’s a picture in the early morning:

View from our AirBNB house in San Miguel de Allende

And here’s a picture taken at sunset:

Sunset view from our AirBNB house in San Miguel de Allende

Location-wise, San Miguel de Allende is at the southern end of Mexico’s central plateau, smack dab in the center of Mexico. Here’s a map that shows its approximate location (the little blue dot is San Miguel).

Map showing location of San Miguel de Allende

Despite its southern location, it’s not hot at all. That’s because it’s at an elevation of about 6000 feet, which tempers the heat and makes for nearly perfect weather – about 50-80 F all year round. A lot of foreigners retire here because of the weather; even more “snowbird” here, enjoying the warmer weather in winter and then returning home in the spring.

(As a Bay Area partisan, I think their weather isn’t quite as good as ours, which is similar but with less humidity – but it’s hard to complain about weather this nice.)

The architecture is beautiful, and so are the cobblestone streets:

Street in San Miguel de Allende

I’m not sure whether the rainbow flags signify anything, but San Miguel de Allende has a reputation for being LGBTQ friendly, which makes me happy!

I’ve decided to do a retreat here towards the end of the year, and possibly move here permanently. The plan is to spend August packing up the house, September tying up loose ends in the Bay Area, and then spend October through December in San Miguel before deciding whether to live there long-term or go back to the U.S.

Towards that, I did a relocation tour of San Miguel last week, driving through the entire city and getting the skinny on each neighborhood. Then I walked around the city a bit to get a feel for the more interesting neighborhoods. Finally, I picked my two favorites and reserved AirBNBs in both areas.

I’ll be spending October and most of November in a place I’ve nicknamed “Casa Gigante”. It’s a house in the Villa de Los Frailes district, in the far southwest of the city, and it’s just gorgeous. It’s also HUGE: four bedrooms, three bathrooms, a kitchen and a kitchenette, and two dining rooms. 

Here’s a pic of the living room:

Pix of “Casa Gigante” in San Miguel de Allende

I love the arched brick ceiling. I have seen this in a few homes to date, so I’m guessing it’s pretty common here. 

Here’s a better picture of the ceiling:

Pic of arched brick ceiling

(As a Californian accustomed to earthquakes, brick ceilings make me nervous, but I’m told earthquakes are uncommon here, so it’s unlikely that the ceiling will land on me like, well, a ton of bricks.)

Check out all the photos of Casa Gigante in the AirBNB listing here. 

I don’t know what I’ll do with all that space in Casa Gigante, but I will definitely enjoy it! And I have already invited any interested friends to come visit.

After that I’ll go to Casa Luiguy, which is right next door to Los Frailes, in the La Lejona district. It’s a lovely 2-bedroom house in blues and yellows (you can see all the photos here). 

Pic of Casa Luiguy in San Miguel de Allende
Pic of bedroom in Casa Luiguy in San Miguel de Allende

Casa Luiguy is just down the street from La Comer and City Market, the two big supermarkets/megastores in town. City Market is Whole Foods on steroids, full of imported gringo foods as well as the usual supermarket stuff. While I plan on doing most of my shopping in local shops, it’s nice to know there’s a place in town with an entire wall of gourmet olive oils, my favorite U.S. brands of yogurt, and so forth. They also sell appliances, clothes, and other household items.

I’m considering a house in the Azteca district as well, which is close to the heart of the city. It is less suburban than Los Frailes or La Lejona, but it’s also right next door to the gym I plan to use for my powerlifting training. Condicion Sana has squat and deadlift platforms and a bench press setup, which excites me no end! Powerlifting is not terribly popular in Mexico, so finding a gym with the right equipment is not easy. I had been expecting to have to set up a home gym, but this is far better.

I picked San Miguel de Allende because it has great weather and a lot of English speakers. (Roughly 8% of the town is either expat or immigrants, mostly from the U.S. and Canada, and there are even more English-speaking tourists). 

Because I don’t speak more than a few words of Spanish, it’s really helpful that many of the locals speak English and/or are accustomed to dealing with people who don’t speak Spanish. (I plan to learn Spanish, but until then it’ll be helpful to be able to supplement with English to get around.)

After a week of bureaucratic delays, C. and I have our temporary resident cards, which is exciting – means we can stay in Mexico for up to a year, open a bank account, etc. In a year I can renew the resident card for three years, and then after the fourth year I can ask for permanent residency. Super cool.

I don’t know yet if I want to move here permanently. My main reason for doing a retreat/trial run here in the fall is to do a life “reset” – to give myself time to cocoon and figure out what the next phase of my life will be like. If I stayed in San Jose, I’d have to battle the temptation just to keep on exactly as before. Here, though, the difference in surroundings and new location will help me shake things up a bit. I may yet return to California, but if I do, it will be a conscious choice and not just the default option.

I brought the phoenix scarf along and finished the beaded fringe on the trip! Here are pictures of the scarf and of the fringe. I really like it.

Finished phoenix scarf, front side
Finished phoenix scarf, reverse side
Finished phoenix scarf, beaded fringe

What’s next, creatively speaking? As with virtually everything else in my life, I don’t know. I do know one thing: like everything else, it’ll be an adventure.

Filed Under: All blog posts, musings, textiles, weaving Tagged With: Mexico, phoenix scarf

July 22, 2025 by Tien Chiu Leave a Comment

The phoenix scarf is off the loom!

I finished weaving the phoenix scarf, and wet-finished it yesterday. It is gorgeous.

Phoenix scarf (handspun and handwoven)

It’s nothing like my usual work. Most of my projects take months, and are planned with precision, developed using a systematic series of samples, and technically near-perfect. This scarf is much more about process than product – rather than being a show piece, it was an opportunity to integrate craft into an expression of rebirth and a celebration of major life changes.

My usual process would involve spinning samples of yarn and weaving sample swatches, then experimenting with sett, structure, and other weaving parameters until I was happy with the cloth. 

Then, based on all these samples, I would finalize the design of the project and calculate exactly how much yarn I’d need. From there, I would calculate how much fiber to dye. I’d hand dye the silk roving, using a ruler to measure the length of each color as I painted the dye onto the silk, so the gradients matched precisely on each side of the scarf.

Then I’d spin the yarn, checking it against a reference sample periodically for consistency, so I wound up with the precisely correct amount of uniformly spun yarn.

And then I’d be ready to weave.

There’s nothing wrong with this approach – it’s garnered me many prizes at shows, and led to my work being featured in magazines, collected by museums, etc. I’m happy with the results it produces.

But this scarf was different. I elected to make it more about process, and internal meaning, rather than focusing on external perfection. It was an opportunity to create something that mattered first and foremost to me – not composed for anyone else, but a symbol of my metamorphosis and life changes.

So I jettisoned tight control over materials and methods. Instead of spinning the yarn to precise standards, I simply spun whatever felt right as I did my daily walking contemplation. Instead of weaving a bazillion samples, I wove just enough to get some idea where I was going. I leaned into uncertainty, trusting my ability to redesign on the fly if necessary.

Of course I ran into problems. But I simply improvised solutions and kept going.

The resulting project feels rawer and has some significant technical flaws. But I love the flaws! They make the piece much more interesting. The handspun yarn isn’t the smooth, uniform color gradient I was envisioning. Instead, it has lots of minor variations in color and size. That creates striations that are far more visually compelling than a smooth gradient would have been. Instead of glassy perfection, I got rough, striated sandstone – and I love it!

Here’s the reverse side of the scarf, which shows the color variations better:

Reverse side of handspun, handwoven phoenix scarf

More importantly, this approach produced a work that was helpful for me personally, and more meaningful to me than my usual project. I spun the yarn on long, introspective walks. The spinning helped me relax and let subconscious ideas surface – a form of walking meditation. This helped me work through my feelings about change, and process the day’s results. And the resulting piece brings back fond memories. Unlike many of my other projects, this scarf feels anchored in time and place.

I’ve decided that this slow, process-first way of working is something I want to explore further, even though it’s extremely uncomfortable for my technically precise mind. I don’t expect to do all my work this way, but I do want to explore it further, especially in this time of major life changes. 

Craft has always been a major part of my life. Normally I shape my craft. This time, it’s a chance for craft to shape me.

I’m now headed off to San Miguel de Allende, Mexico to explore whether living there will be part of my future transformation. I’m bringing the scarf with me, and will finish it on the trip with a beaded fringe. I’ve been auditioning different possibilities, which you can see below. Left to right, they are: specks of fire, pure night, and tongues of fire.

Needless to say, the moment I finished arranging the scarf and pulled out the camera, a cat appeared to help. Here’s Fritz, peacefully keeping me company.

Fritz on phoenix scarf, keeping me company

I’ve chosen the “fiery trails” sample on the right for the fringe, and hope to finish the fringe while I’m on the trip. More pictures once I’m done!

(Ironically, while this project was specifically intended not to be a show piece, I’ve had a few conversations, and it seems likely to be both published and exhibited. Stay tuned…)

Filed Under: All blog posts, textiles, weaving Tagged With: phoenix scarf

July 6, 2025 by Tien Chiu Leave a Comment

Phoenixes: even better than I’d hoped!

I finished the spinning for the phoenix a week or so ago – just over 1,000 yards of superfine silk, a bit thinner than sewing thread. So now it was time to finalize the design.

Designing the scarf was complicated – I had to juggle dozens of competing objectives. I had spun the yarn in two ~525 yard color gradients that would (hopefully) match to produce a symmetric scarf. I had also dyed 1,200 yards of 60/2 silk in a gradient from navy to royal blue, to use as a background color.

Here are the yarns for the first half:

Handspun and hand-dyed gradient yarns for handwoven phoenix scarf

The yarn changed color smoothly along its length. To retain that smooth, even gradient, I would need to use up all the yarn, leaving no jumps or gaps. So that was the first challenge: design a scarf that would require almost exactly 1,050 yards of the handspun gradient weft.

That meant juggling width, length, and picks (number of weft threads) per inch to get the numbers to line up precisely. Very precisely.

First I needed to estimate how many picks there would be per inch. I didn’t have any handspun to spare, so I wove a beautiful sample using 60/2 silk as a proxy for the handspun. When twisted together, they appeared about the same size, so I figured it would give me a good starting point.

Here’s my sample in 60/2 silk:

Samples for the handwoven phoenix scarf, woven with 60/2 silk

This sample came in at 72 ends per inch, which would be just perfect for a scarf 72” long and 14.5” wide.

So I worked up a design that suited perfectly. Here’s a picture of how it would look when worn (the white line divides the two sides):

Design for a 72” handwoven phoenix scarf

I made the final tweaks, added a short hem, and started weaving.

A few inches in, I discovered two VERY, um, exciting things. (Yikes!)

First, the handspun wove up very differently from the yarn I’d used for sampling. Instead of 72 picks per inch, I was getting 50! That meant that my perfectly reasonable 72-inch scarf was turning into an ultra-long “Dr. Who scarf” at 103 inches, with skinny, stretched-out phoenixes.

Second, I had less warp than expected. WAY less. I was using a previously painted warp that changed colors every 2-3 yards. I had thought this section was three yards long, giving me plenty of leeway. Nope. It was only 69-70” between color changes – not long enough even according to the original plan.

Back to the drawing board. I eliminated one phoenix on each side and re-spaced the design:

Revised, shorter handwoven phoenix scarf design

Now I had a design that would weave up to 66” long – which would let me squeak in with an inch or two to spare.

I wove up the first phoenix, then realized that I’d created a different problem! My original design called for 525 yards of handspun, perfect for the amount I had. My shortened design only required 325 yards. As a result, the colors were changing far too slowly along the length of the scarf. My first phoenix was almost entirely brown!

First section of handwoven phoenix scarf, with brown phoenixes

To speed up the color changes, I decided to throw away about half the handspun I’d just spent two months painstakingly creating. (Gulp.) I’d weave half an inch, then pull out and throw away four or five yards of yarn. Then I’d weave another half-inch, and pull out more yarn. That removed the yarn a little bit at a time, which mostly preserved my smooth flow of color.

The second phoenix came out beautifully – everything I’d hoped for.

Red, gold, and yellow phoenix in handwoven phoenix scarf

The photo doesn’t really do it justice. The handspun has small irregularities in the color and size that add wonderful texture to it. It’s much more interesting and, well, handmade than the original samples woven in machine-spun silk. Those were lovely too, but didn’t have the same liveliness and joy.

I’m definitely going to do more projects with handspun! I’m really excited by the possibilities.

I measured the remaining navy blue warp periodically as the scarf grew, and decided that I had just baaaaaarely enough for the rest of the scarf + hem. In a real pinch I could also overdye the white portions at the very end – though I hate dyeing on the loom.

I wove like a maniac (1,000 picks per hour!) and quickly reached the halfway point:

Yellow phoenix at the halfway point on the handwoven phoenix scarf

I’m now at about the 2/3 point, but I won’t make any more progress until Wednesday.

Why? Because I’m on a plane to LAS VEGAS, where I’ll be competing at the USPA Drug Tested National Championships in just two days!

My goal weights are:

  • Squat: 137.5 kg (303 lbs)
  • Bench press: 80 kg (178 lbs)
  • Deadlift: 152.5 kg (336 lbs)
  • Total: 370 kg (814 lbs)

If I hit all three of those target weights I will set new PRs (personal records) in all three lifts, break the California state record for bench press and meet total, and achieve my primary goal, which is totaling over 800 lbs.

I think I’ve got a decent shot at it. Fingers crossed!

Wish me luck!

Filed Under: All blog posts, powerlifting, textiles, weaving Tagged With: phoenix scarf

June 4, 2025 by Tien Chiu 2 Comments

Phoenixes, packing, and meet prep

I’m making slow progress on spinning the phoenix yarn. I started getting repetitive strain injury symptoms in my right hand, so I took a few days off and did some active recovery work (stretching, band flossing, etc.) before starting up again. And I’m going fairly slowly, about half an hour a day.

Here’s today’s skein. I’m getting out of the orange section and into some lovely golds!

orange to gold yarn on niddy noddy

And here is the full gradient so far:

gradient yarn (several skeins lined up)

To jog your memory, I’m spinning these braids of silk fiber:

Gold and yellow are yet to come!

Move-wise, I’ve finally started packing my stuff. The move is still two or three months away, but I hate last-minute panics, and I’m planning to sell some things, so better to start sooner. I found a phenomenal iOS app called Boxes that is teeeeeeerrific not just for packing but for anything that involves labeling and inventorying. You create “spaces” (categories) first, then put boxes into each space. For each box, you can do a list of items, and add photos of each item. Then you can add tags (“weaving supplies”, “yarn,” etc.) And then, you can print a label with all the box info on it AND a QR code so you can scan the box and instantly bring up all your notes, pictures, etc. on your smartphone or tablet.

I think this is phenomenal even if you aren’t moving. It would be perfect for inventorying things for homeowner’s insurance, for example, or just to know where the heck you put that widget 10 months ago.

So I am gleefully packing up and photographing yarn. I’m not going overboard on inventorying everything, but I am taking photos and putting in general descriptions.

I’ve packed five small moving boxes so far, mostly silk and metallic threads. I’m guessing another 10 boxes at least to contain everything. Maybe more. I have at 400+ pounds of yarn! Don’t ask where it all came from, please. (I suspect it of multiplying when I’m not looking.)

Powerlifting-wise, I’m now only five weeks out from Nationals (SQUEEEEEEEE!!!!!!). The final week is typically a rest week, so I have four training weeks left to go. So my coach is pivoting me from general strength training to meet prep. That means that instead of doing 3-5 reps in my first (heaviest) set, I’m doing one HEAVY single-rep set before backing down and doing more work at lighter weights.

Here’s what a typical exercise entry in my training spreadsheet looks like now:

Translating the shorthand, it says to do 1 rep at a weight heavy enough that I could only do two additional reps if I continued.

Once I input that weight into the Set 1 row, the program estimates the maximum weight I can lift, and puts that in the bottom row.

Then I multiply that max weight by 80% and lift that weight (rounded to the nearest five pounds) for four reps, doing a total of four sets of four reps each.

The practical difference is that now, instead of doing an initial set of 3-5 reps at 140 pounds in bench press, I’m now doing a single rep at 160 pounds. That is roughly a 15% increase in weight from my usual training, and puts me up around 90-95% of my max lift. That is HEAVY.

This shift from lighter weights/more reps to heavy singles is prepping my body and my central nervous system for an all-out effort. It’s also giving the opportunity to perfect my form at heavy weights. You can get away with less than perfect form when you have lighter weights, but as you near your max, you have to be much tighter and more focused on getting everything perfect, or the bar won’t come up.

(You won’t hurt yourself if you fail, though – the rack’s safety arms will catch the weight. Powerlifting, and weightlifting generally, actually has one of the lowest injury rates of any sport.)

Here’s what 160 lbs x 1 rep in bench press looks like right now. Significant effort, but not a real struggle. I am hoping to hit 172 lbs at USPA Nationals to break the California state record for my age/weight class.

Filed Under: All blog posts, powerlifting, textiles, weaving Tagged With: phoenix scarf

May 31, 2025 by Tien Chiu 7 Comments

Try to love the questions themselves

I’ve run into a snag on the phoenix project. I started predrafting my fiber to loosen it up and also to allow me to spin directly from the end of the roving. However, the change in fiber prep method has also changed the diameter of my “default” yarn. Instead of 7,000 yards per pound as it was before, it’s now averaging almost 10,000 yards per pound. That’s about 30% thinner than it was! That will definitely be a problem for my scarf design.

Here’s a picture of my three skeins so far:

Skein 1 (the dark brown one) was spun using my earlier method (spinning off the fold), and is 7100 yards per pound.

Skeins 2 and 3 (top two) were spun using the second approach (predrafting fiber and then spinning off the end), and average about 10,000 yards per pound.

This makes nice hash out of all my calculations. At this point there are two things I could do:

(1) spend some time figuring out how to spin a consistent 7,000 ypp yarn, then start over

(2) keep going, and accept that the yarn is going to be much finer than anticipated (and possibly different diameter from skein to skein).

I’m thinking that I will just keep going.

This is a bit of a departure for me. Usually I start with a vision, then plan and execute a project around the vision. Lots of side trips and changes along the way, but I always keep the vision in mind. I also like to keep tight technical control over my work.

But this project is a phoenix project, meaning it isn’t about achieving a goal. In fact, it is very specifically NOT about achieving a goal. It’s about letting go of all the old goals, ideas, and relationships, opening up to possibility, and eventually discovering new things (and a new life!) to replace what went before.

So I think I’m going to do something very out of character: embrace process over product, and simply spin up the rest of the yarn without worrying about what it will become. I’ll play with some ideas, sure, but until I have a better idea of what is coming down the pike, there’s no point in planning too far ahead. So I’m just going to enjoy spinning for however long it takes to spin all four ounces. At that point the future will be less murky and I can decide what comes next.

This meandering matches my plans for my future. I have no idea where I’m going to live six months from now. In fact, I am working very hard at NOT figuring out where I’m going to live six months from now. This is extremely uncomfortable for me, because I am the sort of person who likes to have everything decided. I was a professional project manager – being decisive was my job for twenty years.

But I want to hold open space to rediscover things, to allow Future Me to have possibilities and choices that are different from what Past and Present Me would choose. So I am going to shake things up by resolutely refusing to commit Future Me to anything right now. It is rare that life gives us a chance to do a complete reset. I have had that privilege a few times, and I don’t want to waste that opportunity now.

This reminds me of one of my favorite quotations:

“You are so young, so much before all beginning, and I would like to beg you…to have patience with everything unresolved in your heart, and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language.

Don’t search for the answers, which could not be given to you now, because you would not be able to live them.

And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.”

– Rainier Maria Rilke, Letters to a Young Poet, Stephen Mitchell translation

So with the phoenix, I am planning to sit with the project now. Walk and spin for forty days, or however long it takes. See what it wants to become.

I think there will be lots of potential, though. Here are the color gradients in the most recent two skeins. Beautiful, and full of becoming.

Filed Under: All blog posts, musings, textiles, weaving Tagged With: phoenix scarf

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